Exploring AI’s Affect on the Way forward for Filmmaking


The latest discussion board “AI Singularity” — 2025 Tencent ConTech gathered famend business insiders to debate how AI will reshape the leisure business.

At a time when synthetic intelligence is profoundly reshaping the leisure business, how ought to filmmakers reply — by competing with AI, or collaborating with it?

Consultants mentioned this subject through the latest discussion board “AI Singularity” — 2025 Tencent ConTech, an occasion held by web big Tencent, the place three famend business insiders — director Li Shaohong, Hong Kong visible artist Tim Yip, and scriptwriter Chen Yu — gathered to share their insights.

Director Li Shaohong shares her insights. [Photo provided to chinadaily.com.cn]

Yip, who received the 73rd Academy Award for Finest Artwork Course for Ang Lee’s Crouching Tiger, Hidden Dragon, shared his expertise with AI instruments. He described the exhilaration of utilizing AI to carry an alien sculpture to life, a activity that when took appreciable time however was achieved much more rapidly with synthetic intelligence.

“Nonetheless, I’ve by no means thought that AI would affect me. I’ve simply regarded it as a cool assistant or collaborator. Personally, what has attracted me is that AI is continuous to build up sources from human beings, and AI’s ‘character’ is therefore formed by people,” mentioned Yip.

Director Li, additionally president of the China Movie Administrators Guild, identified that one of many movie business’s largest challenges is whether or not AI will finally substitute actors by producing digital characters.

Hong Kong visible artist Tim Yip shares his perspective. [Photo provided to chinadaily.com.cn]

Final December, Li directed Hua Man Zhu (Isle Abloom), an AIGC brief movie produced as a part of Kuaishou’s Keling AI undertaking. The initiative additionally concerned eight different acclaimed administrators, together with Jia Zhangke and Xue Xiaolu.

Li predicted that future movies could exist in two variations: one starring actual actors and one other “performed” by AI-generated characters. Nonetheless, she believes that arthouse cinema, notably films with unbiased narratives that discover the complexity of humanity, shall be troublesome for AI to copy.

Screenwriter Chen Yu, recognized for writing Zhang Yimou’s blockbuster Full River Crimson, provided a distinct view. He recommended that AI, to some extent, is already able to emotional change with people, generally performing like a “know-it-all” good friend, and even simulating the position of a lover.



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